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HOLY SHIT!

10 Jul

elvis-costelloElvis Costello has announced that he will be touring Australia on the back of his new album ‘Secret, Profane and Sugarcane’ later this year.

With this latest offering he has revisited the country stylings he gave us with earlier records Almost Blue and King of America. For this record he teamed up with producer T Bone Burnett who has worked with such artists as Roy Orbison, Bob Dylan and Gillian Welch.

Costello will be touring sans band which he says gives him ‘a lot of freedom to range around’. This might lead you to expect a toned down acoustic show but apparently what he is planning isn’t ‘ballad type music’ but a full blown ‘rock’n'roll show’. The tour will begin on October 8 in Freemantle with shows in Melbourne, Hobart, Canberra, Sydney and Brisbane.

Here is a clip of Costello performing ‘My All Time Doll’ from the new record, live at Amoeba Music in Hollywood last month.

LIST: Songs About Hair

10 Jul

crookedrain_crookedrain1. Cut Your Hair by Pavement

Darlin’ don’t you go and cut your hair
Do you think it’s gonna make him change?
Im just a boy with a new haircut
And that’s a pretty nice haircut


f44328k52jo2. Stupid Girl by the Rolling Stones

It doesn’t matter if she dyes her hair
Or the color of the shoes she wears
She’s the worst thing in this world
Well, look at that stupid girl


c26452g73j83. Devil’s Haircut by Beck

Got a devil’s haircut in my mind
Got a devil’s haircut in my mind
Got a devil’s haircut in my mind
Got a devil’s haircut in my mind


g08401cy174 4. Gail with the Golden Hair by the Handsome Family

Gail and I shot our empties
With an old, rusted rifle
Her golden hair went flying
Like a wild, brush fire


i41317zh2aj5. Hair Down by the Cold War Kids

Said you let your hair down
You got enough to go round, oh mine
Said you let your hair down
But you’ve been telling me that since the day we meet

Obscure Instruments: Melodica

2 Jul

I played piano for a few years but gave up because I got fed up of practicing. How many ten year olds want to sit stationary for upwards of an hour each day when they could be outside playing? The answer is ‘not many’ and I was certainly no exception to the rule. Next was guitar. I got a lovely acoustic for my fifteenth birthday, the first step towards fulfilling my rock-star fantasy (although since this was the records which inspired me to try my hand at guitar perhaps it would be more appropriate to say ‘folk-star’ fantasy). I found out very quickly that my short fingers meant I wasn’t cut out to be a guitarist.

Perhaps it is a result of my previous failed attempts as musicianship that I’ve recently taken a liking to some of the slightly obscure (and perhaps slightly easier to play) instruments. The melodica is one of these.

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The melodica or ‘blow-organ’ as it is also known, looks like what you’d get it you bred a recorder and a keyboard and sounds like what you’d get if you bred the offspring of the aforementioned instruments with the love-child of a harmonica and a accordion. I first saw this instrument in action at  a gig of a friend’s rocksteady band. I am of the opinion that a melodica player can adopt one of two attitudes while playing; first there is the solemn facial expression worn in an attemept to counteract the somewhat comical sounds of the instrument (this appears to be a popular choice with the crop of indie musicians who are jumping on the melodica band-wagon) and then there are those who embrace the more playful sound and play along themselves.

It was widely used in reggae music during the 1970s and  gradually gained a decent following in popular music. The melodica has featured in the music of artists such as Gang of Four, Belle & Sebastian, New Order and Cake. Apparently Damon Albarn is a big fan of the instrument which shouldn’t be surprising considering his consistent use of it in his virtual band, Gorillaz. Here are my top five tracks which feature the melodica.

  1. Oasis’ ‘Chapmagne Supernova’
  2. Ben Folds’ ”Smoke’
  3. Joy Division’s ‘Closer’
  4. The Kinks’ ‘Sunny Afternoon’
  5. R.E.M’s ‘Boy in the Well’

I’ll leave you with one final fun fact. Apparently, In the film “The Beatles: The First U.S. Visit“, there is footage of John Lennon playing the introductory notes to Strawberry Fields Forever on a melodica in a hotel room. This footage was fimled in 1964 which was two years before the song was properlly written and three years before it was released

DEATH CAB FOR CUTIE: ‘Little Bribes’ Music Video by Ross Ching

2 Jul

Longtime fan Ross Ching has created an unofficial music video for the Death Cab For Cutie song “Little Bribes” using a combination of live action and stop motion. The results are so beautiful! Only a short time after uploading the video he managed to catch the attention of the band who decided to make if the official video for the song. Ching spent around $75 to create the video (not counting his camera equipment), a lesson that low budget doesn’t have to mean low quality. Here it is…

Death Cab for Cutie – Little Bribes from Ross Ching on Vimeo.

Love (still) Hurts: Elvis Costello and Emmylou Harris

14 Jun

I still prefer the Gram & Emmylou version (see my previous entry here) but this is pretty amazing.

It has probably become clear to anyone following this blog that my obsession with Elvis Costello grows by the day. In fact, i’d say it’s verging on unhealthy.

Tenuous Links: An Adventure in Wikiland

14 Jun

n16780As the starting point on my voyage of discovery I have taken the article on the novel ‘Less Than Zero’ by Bret Easton Ellis (who also authored ‘American Psycho’). ‘Less Than Zero’ was Easton Ellis’ first novel and was penned at the tender age of 19. The novel follows Clay, an upper middle-class college student who has returned to L.A. for winter break only to re-enter “a landscape of limitless privilege and absolute moral entropy, where everyone drives Porches, dines at Spago,and snorts mountains of cocaine.” It takes its title from the Elvis Costello song of the same name. ‘Less Than Zero’ is the eight track from Costello’s debut album, My Aim is True, released in 1977.

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antique_radios_25Costello and his band were set to perform on Saturday Night Live. Conflicting explanations have been offered for the series of events leading up to what was to eventually occur on live television that night. Most sources suggest that NBC had put pressure on Costello’s record label to prevent him from playing ‘Radio Radio’ as they had concerns for its obviously radio industry critical sentiments. On the night of the performance the band played no more than a few bars of ‘Less than Zero’ before Costello stopped them and ordered them to play ‘Radio Radio’. As a result of this stunt he was banned from appearing on the show for 12 years.

On the 25th anniversary of Saturday Night Live, the Beastie Boys appeared on the show. They begun to play ‘Sabotage’ only to be stopped after a few bars by Costello who proceeded to re-enact his stunt from ’77 and went on to play ‘Radio Radio’ with them. Apparently “Weird Al” Yankovic had been known to do a semi-tribute to Costello’s stunt during his live concerts. If his band buggers up a song he quickly stops the show, saying “I’m sorry, there’s no reason to do this song here” (just as Costello did) before launching into a cover of ‘Radio Radio’ (I didn’t believe it myself until I saw this).

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fascistflagCostello’s song ‘Less than Zero‘ was an attack of the politics of Oswald Mosley, a British politician who was the founder of the British Union of Fascists. He resigned from the Labour party in 1931 when his ‘Moseley Memorandum’, a set of policies designed to combat unemployment, were rejected by the party. He went on to form the ‘New Party‘. After an abysmal failure in the 1931 general election, Moseley went on a ‘study tour’ of Europe, and returned to Britain convinced that the way forwards was fascism, prompting him to amalgamate a number of existing fascist organisations and the New Party in order to form the British Union of Fascists. The party was heavily involved in violent confrontations, particularly with Communist and Jewish groups in London and was responsible for what would come to be known as the Battle of Cable Street. This confrontation between Moseley’s ‘Black Shirts’, police and Jewish, socialist, anarchist and communist groups led to the passage of the Public Order Act 1936. This Act forbade the wearing of political uniforms in public and required police consent for any political marches. The Act has been used extensively against IRA and Sinn Féin demonstrations in the 1970s.

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171px-CodeOfTheWoostersP.G.Wodehouse in his 1938 novel entitled ‘The Code of the Woosters‘ parodied Mersley and his Blackshirts in his character Roderick Spode, 7th Earl of Sidcup who was the leader of a London fascist group named the ‘Black Shorts’. Spode’s choice of uniform was attributed to the fact that “[b]y the time [he] formed his association, there were no shirts left.”. The black shirts were taken by Mussolini, the brown shirts claimed by Hitler, the blue shirts by the Irish, the grey by the South Africans, the gold by Mexico and silver by the United States.

In the 1990 television adaptation of  Wodehouse’s Jeeves novels, the main characters Bertie Wooster and his man-servant Jeeves are played by the comic duo Hugh Laurie and Stephen Fry respectively.  The pair met in 1980 through mutual friend Emma Thompson and have since appeared together in many shows including The Young Ones, Blackadder and A Bit of Fry and Laurie. They both make cameo appearances in the Spice Girls 1997 movie Spiceworld (as does Elvis Costello).  Here is a link to Hugh Laurie’s cameo. Unfortunately I couldn’t find the other two.

Take-Away Shows: Department of Eagles

14 Jun

camera,machine,movie,retro,video,videocamera,vintage-7674da99905fb5cf40c03b17489d6a3a_mSo, I am probably ridiculously slow on the up-take but I stumbled upon a clip on youTube of Beirut performing ‘Nantes’ for something called the Take-Away Shows. Upon further investigation I discovered that the Take-Away Shows (or ‘Les Concerts a Emporter’ in French) was a collaboration of sorts between French blogger, Chryde of ‘La Blogothèque’ and French film-maker Mathieu Saura, better known as Vincent Moon. The shows consist of (mostly) single-take recordings of bands performing their songs in unusual settings. So far Moon has recorded 97 shows for La Blogothèque with artists such as Jens Lekman, Grizzly Bear, Arcade Fire, Elvis Perkins, R.E.M and Bon Iver to name a few.

The video I chose to share is Department of Eagles performing ‘No One Does It Like You’ whilst conducting a walking tour around Chinatown. Daniel then plays ‘Deep Blue Sea’, a beautiful song which his other band, Grizzly Bear, recorded a version of for the Dark Was the Night compilation which was released earlier this year.

The Hold Steady & Malcolm Middleton on Colin Murray

10 Jun

673px-The_Hold_Steady_by_David_ShankboneThe other day when perusing the website of The Hold Steady I came across a link to an archive containing MP3s of gigs and radio appearances. One of the gems I found there was an interview with The Hold Steady and former member of Arab Strap, Malcolm Middleton, on Colin Murray show on BBC Radio1. Although the combination of the Brooklyn rockers and the Scottish singer-songwriter seems an unusual one at first, the interview reveals more similarities than differences between the two.

They initially met through the Full Time Hobby record label who put out their records in the UK. During the interview, Craig from the Hold Steady recalls returning to Brooklyn after meeting Malcolm to discover that the bar tender at his local was a massive fan of the Scottish singer.

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Craig attributes his fondness of Malcolm to his lyrics while the Scot said he enjoys the energy and ‘youthfulness’ of the Hold Steady. Interviewer Colin Murray identifies a combination of dark lyrics and ‘breezy’ music as a common thread between the two while Tad from The Hold Steady mentions that although both Craig and Malcolm have limited vocal range, their voices make their sound unique and identifiable.

They teamed up to record versions of a couple of Malcolm’s songs  including ‘Red Travellin’ Socks’ and ‘Kiss At The Station’ as well as a cover of Zeppelin’s ‘Your Time is Gonna Come’ and The Hold Steady’s ‘Lord, I’m Discouraged’ but my personal favourite would have to be their cover of the Bryan Adams hit ‘Run To You’.

The interview and tracks are available to download here.

On a separate note, I have to say that Malcolm is possibly THE most Scottish looking person I have ever laid eyes. This has more than a little to do with the pasty complexion and orange hair. I can only wonder what his teeth are like…

His fifth album entitled ‘Waxing Gibbous’ was released on the 1st of June on Full Time Hobby. It is available on CD, MP3 and LP here.

I’ll leave you with what may well be one of the cheesiest lines in popular music courtesy of the ‘Groover from Vancouver’- “It’s so damn easy makin’ love to you”.

Newsreader Chic + Seedy Motel Room = Sweet Music Video

7 Jun

The Hold Steady are one of those bands that I didn’t take an instant liking to. In fact, I had to put in the hard yards with these. After some solid listening sessions I can now say that they have definitely managed to win me over.

This film clip for ‘Chips Ahoy!’ is ridiculous. The band are sporting matching newsreader-esque suits, sculptured moustaches and the nerdiest looking 80s glasses. Add to this a guy dressed as Zorro playing the organ, a seedy motel room and a scene where the entire band are lying fully clothed in bed with an entirely unimpressed girl and you have a great film clip.

Rolling Stones ‘Under My Thumb’

4 Jun

‘Under My Thumb’ has officially replaced ‘Dear Doctor’ as my current favourite Stones tune. Although the lyrics are absurdly misogynistic (try these on for size: “Its down to me/ The way she talks when shes spoken to”) I can’t resist this song. I think the zylophone is the clincher.

WARNING: Mick is sporting a particularly enviable jacket in this clip.

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